Trust: Pulitzer Prize for Fiction

A very enchanting novel. Twists and turns, sharp or subtle, jarring or smooth, happy or sad, handled very well by a talented author. A wordsmith. The structure of the novel, intriguing throughout, weaves a memorable tale, one would wish to read over and over. Super charectization. Like the journal in the novel, would the narrative would be haunting long after reading the novel.

A book with one unreliable narrator is good. Two is great. Four is Pulitzer Award. The twenties are a-roaring. Money is a-dripping. Great Depression is a-coming. And just when you start getting comfortable with the text, a 100 pages in, bam!, a new narrative, a new writing style. The book is divided into four parts. Each telling a different version of a story of a Wall Street businessman and his wife in the years leading up to the Great Depression, and after. All four books have a very distinct writing style and clearly have their own different purpose. It’s hard to imagine what is Diaz’s actual writing style without having read any of his previous works. For example Part one, though claimed to be a bestseller, hardly reads like one. The narrator is distant enough from his characters that it reads like a college essay on an Ayn Rand book. I guess it’s on purpose. A dry portrayal of a drab financier. Still fun! Must be a task for Diaz to write as four writers. Kudos. Capitalism is worshipped. The book views “capital as an antiseptically living thing. It moves, eats, grows, breeds, falls ill and may die. But it is clean. The larger the operation, the further removed he was from its concrete details.” And then there is gaslighting. So much gaslighting, and manipulation. Real life events being manipulated to serve a best selling book. And to serve a holier than thou portrait of a family. And to keep intelligence of the wife being a secret. In the end, I still don’t know who to trust (get it? get it?) Have I uncovered the truth? Was it right to sympathize with that tycoon, or he just took advantage of the situation. The journal entries? But Mildred wasn’t of sound mind. Could those be just her fantasy? These competing narratives show how gullible I am. I enjoyed this book. “Money. What is money?” he would mutter to himself. “Commodities in a purely fantastic form.”

After seeing online rev and recommendations from Instagrammers, I bought this one, and picked it up after not laying my TBR very long. The story is of a business tycoon of Wall Street and his wife in the background of great American depression and rise following the same and among 4 different takes on the same story will the reader choose from. It transpired to me only after 200 odf pages that the storyline is coherent to the display of opulence described before that. Undeniably tha narration style is not like anything I read before. Reader like me generally succumbs to fiction rather than reality will find last account unclear in some sense and will cling to 1st or 3rd version of the story. However, I expected the climax (if you call it) a bit more surprising and authentic than it was, but failed. Recommend for avid fiction fans.

The story happens during the great depression. Fictious story about how the wall street crashed. The story has unique romance, intelligence, twists and turns and written in classical style that is enjoyable to read.

Great characters, great book, good pacing, book divided into 45+ chapters and that makes for an easy read. It is divided in to 4 books. Somehow they are all interconnected. It took me 2 days to finish. Worth your time. Great use of English.

4.5⭐ This story comprises of four books or parts. The first book is “Bonds” by Harold Vanner and it tells the story about Benjamin and Helena Rask, a famous rich couple in the New York City in the 1920s. He is a legendary tycoon and she is the brilliant daughter of eccentric aristocrats. Together they have unmeasurable wealth. But there are gossips about Benjamin’s financial maneuvers and Helena’s reclusiveness. The rest of the books/parts also revolve around the first book, “Bonds”. This was a very unique book in my opinion. I don’t think I have read any “book within a book” before and I was pleasantly surprised by this one. After reading the first two books I was not even sure what was going on and was starting to dislike this book. But the tables turned after the third part. I think the third part is the best and strongest part about this book which makes reading this book worthwhile. This third part brings all the four parts of this book together and I loved how interwoven all the parts were. I can see why this book was longlisted for the Booker Prize. And I don’t want to say more about this book because I think it’s best if you go into this book not knowing much like I did. I would mention one thing that there’s a lot of discussion about finance and stock market and I did not like reading those parts. However, by the end of the book I completely understood why those were described in such details and I think they are crucial to the overall story. I would highly highly recommend this book! It is a multilayered story with a unique format and an elegant writing style. This is a brilliant book in my opinion.

Realised too late that it is really boring and disjointed at best

Nothing to write home about. This book was a waste of time and effort. I expected better from a prize winning book. I gave it three stars since the approach And presentation was somewhat novel

I can’t see why this book was long listed for the Booker Prize in 2022 or how on earth it won the Pulitzer Prize in 2023. It seems a disjointed, rambling and confusing book about money, power and relationships. But that is a lie – a trick - a bit like Hernan Diaz in this book. On the contrary I think ‘Trust’ is a dazzling cut-diamond of a book. Unlike many novels with a beginning, middle and an end, Trust is constructed like a Russian Matryoshka doll where once the smallest doll – the ‘Futures’ section of the book – is revealed all our questions are answered and we can only sit back and wonder at Diaz’s deft sleight of hand. The author uses four different genres: first is the novel within the novel, then the manuscript, followed by the memoir and finally, the diary. From the first Diaz lulls the reader into a false sense of security. “Bonds” a novel within a novel, written by Harold Vanner in a traditional style, using the third person, lacking in dialogue, tells the story of successful investor Benjamin Rask and his wife in their New York Mansion. Helen Rask was an excellent mathematician with no acceptable outlet in a patriarchal society for her brilliance. Through her philanthropy and sponsorship of artists and musicians, this otherwise reserved woman creates a social bubble in which she feels comfortable and achieves great success. The loss of this richly cultural life hit her hard after the Depression when people blamed her husband for manipulating the markets and making money from other people’s misfortune. Her descent into mental illness was swift. An uppity wife would often find herself despatched to a clinic for experimental treatment and Helen’s fate was not a one-off. The reader learns later that the fictional author, Harold Vanner, had been entirely wrong about Helen aka Mildred. He may have changed the names of the two main protagonists but he was subsequently destroyed by the “real-life” Andrew Bevel because the story was clearly about the Bevels. How shocked Vanner would have been to learn that Mildred Bevel, the de facto victim was actually the brains behind Andrew Bevel’s success. He would have been horrified that he had lost his literary livelihood for such a monumental lie – no one would have suspected that the ‘angel in the Bevel house’, Mildred Bevel, had been capable of such Machiavellian scheming and, let’s face it, shocking brilliance! ‘My Life’, the manuscript of Andrew Bevel’s autobiography, is written in the first person but the writing is more stilted, less fluent than Vanner’s novel and is peppered with copious author’s notes for further research. It eventually stutters to an unresolved end, much as Bevel’s life ended, - suddenly. Bevel employed an inexperienced secretary, Ida Partenza, to not only type up the book but also invent incidents in the life of his late wife – a woman Ida had never met. Today we would say that Ida was a ghost writer, of sorts. The interviews between her and Bevel gave her a chance to develop her obvious talent for creative writing. She had already created a false biography for herself along with a new name. This was a game she would be able to play with inexperienced enthusiasm. With her boss as the only source, writing Mildred’s truth was nigh on impossible. For example on page 286 Bevel instructed Ida as follows: “We wouldn’t want anyone to believe she was arrogant or affected. Keep it simple. Make her love of the arts approachable for the common reader”. That Mildred had sponsored and enjoyed innovative modern classical music was only one of the truths that needed to be buried. Ida realised that the Mildred she was writing about was very different from the one who had decorated her bedroom with minimalist furniture. Ida had even inserted interests and events from her own life into Mildred’s to pad out the text, so she was well aware of the lies contained within its pages. This book is set in the past but Diaz is a contemporary writer. “Trust” may well be a metaphor for the modern world – awash with lies and deepfake news. If he were alive today Andrew Bevel would no doubt have used AI, Chat GPT to write his book and social media to circulate lies about Harold Venner. For example, look at the vitriol addressed to J K Rowling. The more I think about it, the more Bevel’s pride in being able to bend and align reality so that the adjustment looks like truth, the more I read commentary about the present Age. Ida acknowledges in later life (her memoir section written in italics) that she had also been manipulated by him, that money equals power and that power is not always wielded by the most ethical people. Her naivete began to fall away with the realisation that Jack had been spying on her and her father had stolen pages from her bin. She sensed a genuine mystery around the Bevels and her love of crime novels whetted her appetite for finding out the answer to the puzzle of who Mildred really was. However, she conversely admitted that working for Bevel had set her on a solid career path, paid her a good salary, and provided her with independence and a roof over her head as well as paying for her father’s accommodation. Ida Partenza had been regularly subjected to her father’s political rantings and preoccupations until she left home. He even told her that being a Secretary was a demeaning occupation, which promised independence but was actually “another knot in the millenary subjection of women to the rule of men”, failing to recognise the hypocrisy of his words. He would eventually live alone in unhygienic squalor rather than lift a hand to do anything about it. Despite grudgingly admitting that secretarial work was work - and he admired anyone who worked - he did not seem to understand that cooking, laundry, and cleaning was house ‘work’. Ida attempted to make sense of the Bevels by writing a memoir but it was only when she discovered the hidden diary that she discovered Mildred’s truth. Mildred describes her husband, Andrew, as ‘stoically sulky’, which is not surprising as he was constantly jealous of her superior skills in successfully predicting the stock market’s movements while taking all the credit for himself. This was a dark secret Andrew Bevel was determined to take to his grave. On the other hand, Mildred felt guilty that her financial dexterity had financially ruined people. In another extract she writes: “I don’t believe in magic, but the viciousness of cancer after the crash didn’t feel like a coincidence.” In this book financial trust, trust between husband and wife or parents and children is often misplaced. Women are silenced. The men in ‘Trust’ don’t come out of it looking very good. Clearly, this book is as much about the imposed restrictive experience of being a woman as it is about making money. Living in the twenty-first century, as we do, when some people struggle to find words to describe what a woman actually is, it is a salutary reminder that we are human beings first. Despite growing up speaking Spanish and Swedish, Diaz has made no secret of his love for the English language. He writes longhand in notebooks, in English, with a Mont Blanc pen, often in the Centre for Brooklyn History library, close to his home. He is widely read and his academic background contributes to the wealth of previous reading that enriches this novel. I really didn’t want this thoughtful, elegantly-written book to end and would recommend it to others.

Hernan Diaz is one of the most interesting authors of our time. His contributions have not gone unnoticed. His work is captivating and inspiring. His book is a masterpiece. The stories touch my heart. Sincerely mo

Beautiful writing, compelling storyline, intriguing and satisfying! Would def consider rereading which I rarely do. Outstanding. Glad a friend recommended it to me

Interesting and amazing at the same time. I decided to read the english version and the prose was superb. Once you finish reading, it is obvious why Hernan Diaz won the Pulitzer Price!

I love the book and want to know what books the same author did