RØDE Wireless PRO Compact Wireless Microphone System with Timecode, 32-bit Float On-board Recording, 2 Lavalier Microphones and Smart Charge Case for Filmmaking and Content Creation

Excellent wireless mic system. I did lose out slightly on this buy, I paid £240, it's now £203. However, you only need to watch broadcast TV news programmes to see how many of these systems are now in use. Mine certainly got me out of trouble when i needed to access the onboard 24 bit recording to replace a poor recording on the camera footage. Well recommended.

Great quality, amazing features. Automatic recording in 32 bit float has saved the day on more than one occasion. Companion software gets better and better. Charging storage extends battery life a lot.

I chose this rather than the DJI because it comes with 2 very good lavalier mics. I can't fault these radios mics. Nice software to make setting up easy. The 32 bit float recording is simple to download and sync in post if it is needed. Just a quick note, if you experience a bit of background white noise from the receiver, it's the camera pre-amp, not the mic. RTFM. If you are using it with a Panasonic HC-X2000, then remove the camera top handle. Works well with a G80 also. If you connect the charge case via USB, then use the short high-speed cable provided. Battery life, sound quality, ease of use, all good.

Amazing, I've dropped it a few times and still works fine.

On the plus side, these mics sound good, look the part and come with a good range of accessories including some decent lapel mics/lavs that can be attached to the wireless transmitters for a more discreet look. They always connect to the receiver without issues and I like how you can hit record on the receiver to start both mics rolling simultaneously. But beware of the terrible Rode software which seems to get more crash-prone with every update. I don't 100% trust I'll be able to lift the transmitters' internal 32-bit recordings from them (you HAVE to use the Rode software to download the files, you can't just plug into your computer) so I always have the receiver recording into a Zoom H5 just in case. Even simple things like deleting individual tracks (the only option is to delete everything) aren't options using the Rode software. They desperately need to sort it because there's nothing "Pro" about it.

In this price point you won't find a better set of wireless microphones imho. I have now used these for a couple of jobs and I think I can accurately review most of the features in an unbiased manner. The 32-bit files are virtually noiseless even when boosted by a great deal to improve extremely quiet audio. The pre-amps in these are fantastic; transparent and virtually noiseless, I can't sing their praises enough. Getting two lav mics in with the kit just makes this the best value for money by far. Are they the best lav mics in the world? No, but they're entirely adequate for most uses outside of high-end production. The range on the TX's is stellar. I've been inside a stone-built church with all the doors closed and got perfect reception from a couple 30m away over the other side fo the churchyard. Delay is minor, a couple hundred miliseconds at worst, but all wireless mics have delay and I record a safety track on my shotgun mic for syncing up in post, so it's a non-issue for me. I haven't noticed any drift in longer recording sessions. One small gripe is that I would have preferred a single carrry case for all the TX, RX, and accessories. As it stands you get two almost idental looking cases, one for storage and charging of the TX/RX, and one for accessories. the box for the TX/RX storage is too big to be easily pocketable, so I don't see why they didn't just make that one bigger and put everything in there. It is a very small gripe and not one worth worrying about if you're well organised anyway. The only thing I don't like about them is the finish on the front of the TX. they are piano black and highly reflective, something I have remedied with some black fabric tape. This only matters if you aren't running a lav mic obviously, but it is something to consider.

I’ve been using these professionally at my 9-5 as a videographer, and they’re top of the game. Being able to see and control when a mic is rolling and monitor it on the go is something I didn’t realise I needed in my life. I work in a fast paced sport retailer and we often shoot with various football players on the same day. This has become something that me and my team absolutely love. The 32bit audio is always fantastic to have. Along with the wireless receiver that can input the mic audio straight into the camera to save the hassle of syncing audio in post. Honestly, 10/10 from me and my team!

I got this to replace my first two Rode Wireless Go II kits. I love the charging case, and the second case to keep all the accessories is very good. I use these for my live streaming work with my radio mic kits. The internal recording is great, and they are so quick to use when you need an audio source quickly on the go. These definitely seem a step up from my older Go II kits.

音量調整しなくても、音割れしないし、本体に録音されるので、カメラに接続しなくても使えます(別途、編集で同期させるひつようはありますが) マイクも2本ついているのでコスパ高い製品です。

If you do much research, you will find that when it comes to compact wireless systems, it basically comes down to the Rode Wireless Pro and the DJI Mic 2. But if you work with both for any amount of time, you're quickly going to find out why the RODE is the choice for most working professionals. 1. 32-bit Float On-Board Recording: This ensures that no audio is clipped or distorted, even if levels are too high or low during recording. This feature is a lifesaver for post-production editing, where you can recover audio seamlessly. 2. Timecode Capabilities: This feature helps synchronize audio with video perfectly, which is especially beneficial for multi-camera setups or professional filmmaking. 3. Series IV 2.4 GHz Digital Transmission: It offers stable, encrypted wireless audio transmission over long distances (up to 260m), ensuring clear sound without interference. 4. GainAssist Technology: Automatically adjusts the microphone's gain, helping maintain optimal audio levels regardless of changes in environment or speaker volume. 5. Dual-Channel Recording: Ideal for interviews or two-person shoots, as it allows simultaneous recording from two sources. 6. On-Board Backup Recording: Even if wireless transmission fails, the microphone has internal storage to capture audio, ensuring no data is lost. You have 32 gig of recording space versus the 8 gig of others. That's over 40 hours of recoding at 23 bit float. 7. Long Battery Life: The transmitters provide up to 7 hours of continuous recording, perfect for extended shoots and the charging case gains you a total of 20+ hours 8. Incredibly low latency (5ms) vs everybody else's 27-30 ms. This is huge if you use wired Mics along side wireless Mics. That means the longer latency Mics are going to arrive at the camera MUCH later than the wired Mics and your audio will be out of phase. 9. Compatibility: It works with a wide range of devices, including cameras, smartphones, and computers, and is compatible with RODE Central for advanced settings and management. 10. And lastly, the RODE comes with (2) Lav II lavaliere microphones. That alone is almost the price of other entire wireless mic systems. They are well made, have locking connectors, and sound great. After working with a LOT of wireless systems this last year, the RODE wireless Pro has really been the most reliable and functional in a professional environment.

Honestly, industry standard for wireless mics. Great sound, and premium design.

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Why do we need competitors? To make better products! However, the RODE wireless PRO does not have competitors anymore. Battery runtime and recording time gives lots of freedom. The storage box automatically recharges the microphone whenever it is in there! The only flaw I see so far, is the -NOT- ability to change settings remotely.