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Edith Piaf is the subject of La Vie en Rose , director Olivier Dahan's powerful if emotionally redundant biographical film about the iconic French superstar whose life, as depicted here, seems to have been a numbing succession of tragedies interrupted on occasion by artistic triumph. Dahan's portrait begins with Piaf's stay in a brothel as a young girl. Left to the care of her grandmother (who runs the place) after her father pulls her away from a narcissistic mother, Piaf undergoes significant health problems and grows up to sing on the street in lieu of outright prostitution. The film pulses along with the usual biopic rhythms, with pivotal moments in the life of Piaf (played as an adult by Marion Cotillard) turning up regularly only to be smacked aside by the unseen hand of perpetual misfortune. There's the impresario (Gerard Depardieu) who recognizes Piaf's great but raw talent only to have a run-in with the criminal element around her. There's the heavyweight fighter (Marcel Cerdan) who becomes the love of Piaf's life but can't be with her. Drug addiction, random car accidents, tax problems, you name it, it's all here, topped by an unnerving revelation that pops up in La Vie en Rose 's final moments. After awhile, with such a concentration of bad news squeezed into 140 minutes, one begins to wish Dahan had taken a more expansive approach to Piaf's life and times. But the film is never less than interesting, and the lead performance by Cotillard is often astonishing. --Tom Keogh She was known as "the Little Sparrow." But behind Edith Piaf's tiny stature was a larger-than-life voice that captivated a generation. Featuring a powerhouse, Oscar(R)-winning lead performance by Marion Cotillard, this sensational film unveils the story of the French songbird whose road to international fame became suffused with poverty, illness, heartbreak, tragedy and addiction. "Four stars...one of the best biopics I've seen" (Roger Ebert). Winner of two Academy Awards(R), for Best Actress (Cotillard) and Best Makeup. Co-starring Emmanuelle Seigner, Jean-Paul Rouve, Gerard Depardieu and Clotilde Courau. Directed by Olivier Dahan; adaptation and dialogues by Olivier and Isabelle Sobelman, screenplay by Olivier Dahan. Review: Get out your accordion and a bottle of French wine. - Beautiful film, thoughtfully structured. Normally multiple flashbacks are a huge red flag, but in this case it works. Ms. Cotillard is astonishing, downplaying her own beauty and disappearing into Piaf. The shoot must have been physically and psychically brutal. The only flaws with the story are not the film makers' particular fault. One, Piaf has no arc (outside of her career). She was a reactive person by nature and remained so through-out her life. They try to give her a sense of peace and reflection in a scene on a California beach but it is one of the few scenes that rings hollow. The other (minor) issue is obviously this is a French film and the makers tend to assume that a French audience will mostly know the (tragic) beats of her story, such is her status in the pantheon. For an American audience, however, this is problematic. Piaf's daughter is introduced by her childhood death by meningitis. It is horrible, but less horrible than it might have been had we known she even had a daughter by a husband we had just met. Also WW2 is skipped over with one throw away scene where she meets a soldier leaving for the front. Her affair with Cerdan, however, is wonderfully done, handled with both substance and great delicacy. His death tears your heart out - even if you know it is coming. The actor who plays Cerdan is credible as both the man and the boxer. I'm sure most Americans don't know France ever had a serious boxer, much less a world champion, but it is true. A fine, fine portrayal. Finally, the music. I am no musicologist so I am not going to comment on that, but her performances and songs will outlive all of us, and the film is both generous and clever in handling the music. This is what they used to call a twenty hankie movie, and it is all of that. Preparez vos mouchoirs, as they say. A couple of interesting points: Claude Lelouch made 'Edith and Marcel' in '83 casting Cerdan's real son as his father. I'm not going to comment until I can go back and screen it again, it's been too many years, but it is probably worth digging up. Finally, a film about Cerdan starring Patrick Dewaere was in production when Dewaere committed suicide, the awful loss of a wonderful young actor. Review: Incredible Transformation by an Actress - I had to go back and see this film a second time in order to be certain that I had seen the performance that I had seen. Marianne Cotillard (sp?), who is actually very beautiful and somewhat tall and thin, WAS Edith Piaf in this film. Whoever Edith Piaf was. And therein lies a tale, because there are so many contradictory stories about her, including those from her, from her so-called "sister", from friends, from reviewers. I had to go and read all of the bios that I could find about Piaf, and it was amazing how different they all were. Even Edith herself wrote two different auto-bios and they were quite different from each other. But the movie draws you in and claims you for the entirety of the film. And there is no question it is due to the performance. The film itself is not great, but the performance is breathtaking. I have now seen it three times and have, of course, pre-ordered the DVD. But for those who love film, who love actors, who love brilliance, I strongly recommend that they sit back and enjoy this unusual, wonderful, inhabited performance. Jan Schulman
| Contributor | Alain Goldman, Clotilde Courau, Emmanuelle Seigner, Gerard Depardieu, Ilan Goldman, Jean-Paul Rouve, Marion Cotillard, Olivier Dahan Contributor Alain Goldman, Clotilde Courau, Emmanuelle Seigner, Gerard Depardieu, Ilan Goldman, Jean-Paul Rouve, Marion Cotillard, Olivier Dahan See more |
| Customer Reviews | 4.6 out of 5 stars 3,439 Reviews |
| Format | AC-3, Closed-captioned, Color, Dolby, Multiple Formats, NTSC, Subtitled, Widescreen |
| Genre | Drama |
| Initial release date | 2007-11-13 |
| Language | English, French |
C**C
Get out your accordion and a bottle of French wine.
Beautiful film, thoughtfully structured. Normally multiple flashbacks are a huge red flag, but in this case it works. Ms. Cotillard is astonishing, downplaying her own beauty and disappearing into Piaf. The shoot must have been physically and psychically brutal. The only flaws with the story are not the film makers' particular fault. One, Piaf has no arc (outside of her career). She was a reactive person by nature and remained so through-out her life. They try to give her a sense of peace and reflection in a scene on a California beach but it is one of the few scenes that rings hollow. The other (minor) issue is obviously this is a French film and the makers tend to assume that a French audience will mostly know the (tragic) beats of her story, such is her status in the pantheon. For an American audience, however, this is problematic. Piaf's daughter is introduced by her childhood death by meningitis. It is horrible, but less horrible than it might have been had we known she even had a daughter by a husband we had just met. Also WW2 is skipped over with one throw away scene where she meets a soldier leaving for the front. Her affair with Cerdan, however, is wonderfully done, handled with both substance and great delicacy. His death tears your heart out - even if you know it is coming. The actor who plays Cerdan is credible as both the man and the boxer. I'm sure most Americans don't know France ever had a serious boxer, much less a world champion, but it is true. A fine, fine portrayal. Finally, the music. I am no musicologist so I am not going to comment on that, but her performances and songs will outlive all of us, and the film is both generous and clever in handling the music. This is what they used to call a twenty hankie movie, and it is all of that. Preparez vos mouchoirs, as they say. A couple of interesting points: Claude Lelouch made 'Edith and Marcel' in '83 casting Cerdan's real son as his father. I'm not going to comment until I can go back and screen it again, it's been too many years, but it is probably worth digging up. Finally, a film about Cerdan starring Patrick Dewaere was in production when Dewaere committed suicide, the awful loss of a wonderful young actor.
J**.
Incredible Transformation by an Actress
I had to go back and see this film a second time in order to be certain that I had seen the performance that I had seen. Marianne Cotillard (sp?), who is actually very beautiful and somewhat tall and thin, WAS Edith Piaf in this film. Whoever Edith Piaf was. And therein lies a tale, because there are so many contradictory stories about her, including those from her, from her so-called "sister", from friends, from reviewers. I had to go and read all of the bios that I could find about Piaf, and it was amazing how different they all were. Even Edith herself wrote two different auto-bios and they were quite different from each other. But the movie draws you in and claims you for the entirety of the film. And there is no question it is due to the performance. The film itself is not great, but the performance is breathtaking. I have now seen it three times and have, of course, pre-ordered the DVD. But for those who love film, who love actors, who love brilliance, I strongly recommend that they sit back and enjoy this unusual, wonderful, inhabited performance. Jan Schulman
D**N
First-Rate Musical Biopic
Prior to seeing "La Vie En Rose" my only frame of reference of Edith Piaf was in a scene in "Saving Private Ryan" where the soldiers in repose were playing a record of hers. Musical biograghy is a tricky proposition that if done improperly can border on the cliched. Director Olivier Dahan's film has an interesting structure. Though told in mostly linear fashion he ingeniously uses jumps in time to comment on the action. What I also liked about this disc is it eschewed subtitles for the songs. Even if you don't know a lick of French you don't need a translation to feel the power of the songs. Marion Cotillard deservedly won an Oscar for her portrait of a woman who despite personal trials and tribulations held her head high and perservered through her music. Cotillard is masterful in her transformation from a young girl to a middle-aged woman who, through debilitating infirmity, has to trudge through life yet still maintain her dignity. The film's make-up people won an Oscar and deservedly so. That said, I think Cotillard could have suggested the required physical transformations of Piaf without the use of prosthetics. This is a great film and one of the best of 2007.
M**Y
Great movie. Très génial.
My French tutor recommended this movie for me. The initial intent, was to allow my ear to start hearing more French, and to pick up on French words. However, even in French with English subtitles, this movie was amazing! The story was incredible. I have never heard of Edith pilaf before my French teacher shared this. Truly amazing woman and story. The actress, Marion Cotillard was breathtaking. It is completely understandable why she did, and should have won the Oscar for this movie. Le film, c’est magnifique. Marion Cotillard est une très grande actrice.
B**R
Performance of a Lifetime
Olivier Dahan's La Vie en Rose provides viewers with Marion Cotillard's stunning performance as Edith Piaf. The actress creates a character full of passion and tragedy and her performance is perhaps the best transformation I have seen on film in many a year. Her performance begs for the Oscar and her nomination was well deserved. With all that said, is this a great film? The movie holds its viewers attention but the story lags at points and not enough time is spent on the glory years that Piaf experienced in the 1940's. The film's strange story telling technique of flashbacks and flash forewards may be off putting to the casual viewer. In addition as biopics go this film seems overly heavy and sometimes depressing. The film will do much better with an audience familiar with Piaf's life and music than it will with someone who does not share this interest. La Vie en Rose works more as arthouse fare than it does as a general release film. A problem with the presentation also mars the end result. The subtitles are not present on the songs and for a non French speaker this takes away from the general experience of the film. This is a film with wonderful performances but it still falls a little short of greatness.
M**B
GENIUS!
A "Once in a Lifetime" performance by Marion Cotillard that's almost Invasion of the Soul - so personal, and so close. MARION COTILLARD is ASTOUNDING as Piaf - ranging from Teenager/feral waif to dying shell within a mere - what is it? - less than two hours? Come Award season and COTILLARD must be right up there. Sure, there have been other movies - other versions of Piaf - this is more than a biopic, this is Piaf's raw soul exposed [for the unitiated] Piaf grew up the hard way - from Parisian streets, seedy 'rooms to let', her Grandmother's brothel, on the road with her acrobat/father, etc. etc. TECH Credits are great - from Costume/Set Design, to superb cinematography and editing. The beautiful Cotillard is subtly andincredibly transformed into Piaf with very simple yet effective make-up. Editing? The best editing job in years - especially the brilliant "Marcel Morning/Mourning" scene, almost too close to the bone to watch without being profoundly moved - again Cotillard and ensemble. That great silent moment in the rain when the child Piaf looks at the Chinese doll through the plate-glass window ..... Another gem is the brilliant Dietrich cameo - hushes the audience [watching] entirely. This is Cotillard's cross-over moment - she's going to become a household name universally.
R**E
BRAVO!!!!!! IF THERE WERE TEN STARS I WOULD GIVE THIS TEN
Weather you know or love Piaf you simply must see this movie. Cotillard is nothing short of brilliant owning the role of a lifetime. The movie is long but addicting and I couldnt' stop wathcing. Creative and well paced as well as beautifully directed. It is not easy to make a film or play the lead role of what amounts to a French Saint; but this movie delivers. I cannot imagine anyone saying anything but bravo for this beautiful, haunting inspiring and ultimately stunning tribute to one of the Frances' greatest artistic legends. Cotillard is both stunning and scary in her portrayal as she is so one with the character. The color and scenic work is done just as well and the sound and music are seemless. And not to forget the supporting cast who are at time a bit mannered but never boring or out of place just actors playing the French artists crowd. The liberties taken to make the story flow work;just work for this film. The young Piaf is wonderfully acted as well. I thoroughly enjoyed this film and to end on or near her singing "Her Song" No regrets , had me standing. Was Piaf perfect? Was she a survivor? Yes!! And thank goodness she was. Her singing sets the soul on fire and what errors she might have made in the eyes of those who see life in the political sense only, fall by the wayside with this woman's deeply personal journey and survival and her gift of sharing that with Her audience.
Y**H
Quite a surprise! Wonderful movie and truly outstanding acting!
Well I couldn't find anything else to watch and decided what the heck. Since I know some French I would give it a try and see what it was about. I was familiar with the lead actress from other movies but had no idea just how truly amazingly outstanding she was in her portrayal! This is not only a MUST SEE but it's also a MUST OWN! If you were not a fan before you will be one after watching this. Sad ending but truly amazing acting on the lead actresses part!
S**L
DVD la vie en rose
Un film magnifique qui raconte la vie d'Edith Piaf, une grande Dame.
A**N
Tres belle histoire
Tres beau film
D**L
Excelente !
Excelente producto y tiempo de entrega!!! 😊 Lo único es que viene en región 1 y no es compatible en la mayoría de los reproductores.
G**A
Bello
Film molto interessante. Una storia toccante, affascinante e non sempre conosciuta di un'artista particolare, piccola fuori ma enorme ed ingombrante come personalità. Mi ha emozionato molto. Lo consiglio per chi ha interesse per lei, per la sua musica e per la musica in generale. Spedizione eccellente
チ**爵
出色の出来栄え。
伝記物ですが、やはり主演女優さんの頑張りがこの作品の肝です。 伝記物は容姿が似ていないと見る気が起きませんがこの作品は完璧です。 自分はエデット・ピアフのファンではありませんが この作品には感動しました。
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