The Master Guide to Drawing Anime: Amazing Girls: How to Draw Essential Character Types from Simple Templates (Volume 2)

Very good my girl likes it

Bought for my anime fan’s daughter, and she loves this.. Thanks, seller and Amazon

We’ve all heard of Studio Ghibli, and many of us can list some of their intensely touching films, like Spirited Away (2001), Princess Mononoke (1997), and My Neighbor Totoro (1988). Hayao Miyazaki’s films have reached global popularity running over decades not only because of their fantastical visuals and unique storylines, but because they commonly have female leads while also being relevant to both children and adults of any gender. Student of MIT Professor Ian Condry and author of “Feminism and Studio Ghibli” (2015) claims that Studio Ghibli flaunts a generally feminist reputation, due to the use of female leads and the lack of stereotypes impinged upon said leads. One of the criteria first used in this paper to assess Ghibli’s feminism is the Bechdel test, which is acknowledged to be more or less insightful depending on the validity of the test itself. The Bechdel Test is a cinematic evaluation of which to be passed requires at least two women who conversate with one another about something other than a man. The author claims that the vast majority of the movies do pass this test, and although that doesn’t necessarily mean that every movie is in line with feminism, it’s safe to concur that the cinema studio itself is. To gain a deeper understanding, the author makes the point that both female and male characters are treated equally and repeatedly help one another without any obvious differences in ability, which is the main basis of which feminism is defined as in the sense of my explanation. Not only are female characters employed in nuanced ways within the unique storylines, opposed to simply tropes like hero or villain, but they employ positions of power. Nausicaa of The Valley of the Wind contains a female prophet and warrior, Howl’s Moving Castle showcases female royal advisors and a powerful female antagonist, and the town in Princess Mononoke is led by a confident woman whose independent character seeps out for the rest of the female villagers to draw inspiration from, as the women in this town take on traits that we’re used to seeing as more masculine. It is also a pattern in which the worlds that Ghibli creates are safe for the voices of women. Female characters respond to male assertion with assertion, without fear of being reprimanded. In turn, the men treat those voices with the respect that is demanded. This observation may go without saying, but as not to assume Ghibli’s popular influence, Studio Ghibli characters are never sexualized, whether it be in posture, in clothing, or in demeanor. The MIT student offers the notion that Ghibli is somewhat radical in its rejection of the Japanese norms surrounding young women. Whereas popular Japanese culture rewards girls who are cute, childlike, and docile, Ghibli creates its characters in such an opposing fashion. Sophie of Howl’s Moving Castle spends a majority of the movie being an old lady before being magically returned to her original youthful state (and not at the hands of true love’s kiss!). In this elderly mode, she learns the skills of self-assertion and finesse, traits that she carried on with her in life even after returning to her young body. Whereas popular anime series can’t help but sexualize the bodies of even relevant female characters, Ghibli has gone so far as to portray a truly entertaining story with the lead female character being in a drastically aged body, depending on zero allusions to her physical appearance or attraction. As not to conclude with naivety, the writer does acknowledge some of the studio’s downfalls in terms of cinematic stereotypes. Female characters are often portrayed cleaning, although it is always something of choice instead of force, and they are usually portrayed as closer to nature and the spiritual realm, if not a symbol of it. Crombie goes further in her critique of Studio Ghibli after the fact that she’s acknowledged similar strengths, and her assertion based on feminism is that the female characters in Ghibli films are usually depicted in value based on their usefulness to male characters and that the pattern of domesticity as mentioned previously by the MIT studying author is in part employed with the purpose to “romanticize and idealize these typically feminine processes, making ‘women’s work’ broadly appealing” (Crombie). An example given by Crombie is Sophie of Howl’s Moving Castle, the young woman turned elderly as mentioned earlier, and although the storyline follows her character and her development the most, it is the wizard Howl’s name who takes the title. I acknowledge this statement, but I must critique it, as the phrase “Howl’s moving castle” was a common saying in the film by villagers when the magical castle was spotted, in a way such as “that’s Howl’s moving castle!”. Also, it’s worth noting that many other female characters of Ghibli led the films etched with their names, such as Kiki’s Delivery Service, Princess Mononoke, Ponyo, The Secret World of Arriety, Nausicaa of the Valley of the Wind, et cetera. •••••••••••••••••••••••••••••••••••••••••••••••••••• It seems that the way people want to try to capture the essence and emotional truth in anime and manga is through the female appearance. I love studio Ghibli and the morals of the movies are very meaningful as anime is a form of art that offers more depth then what America is used to. But always the truth lies within the eyes of the beholder. This guide is quite helpful.

J'ai lu à peu près tout et son contraire sur cette collection de livres. Sur Amazon, les avis sont généralement excellents mais sur les forums les avis sont beaucoup plus mitigés. Il faut savoir que l'auteur présente chacun de ses livres sur youtube, aussi on peut le feuilleter avec lui, ce qui est vraiment génial pour avoir un bon aperçu de ce que l'on s'apprête à acheter. Je suis un dessinateur adulte. Je maîtrise déjà les figures de bases et les proportions et je cherchais un livre qui pourrait me servir de références pour les poses, les coupes de cheveux, les vêtements.... Pour cet usage, cette série de livres et celui-ci en particulier dédié aux personnages féminins en particulier est excellent. Les modèles sont vraiment très beaux, inspirants, les poses sont variées. Les artistes contributeurs sont vraiment très doués. Là où je comprends les avis négatifs que j'ai pu lire, c'est sur le côté étape par étape. Si vous n'avez jamais dessiné un personnage de manga, appris les proportions, les rudiments de l'anatomie... vous aurez toutes les difficultés du monde à vous rapprocher de ces modèles car la première étape de chaque dessin est déjà très avancée et nécessite déjà de solides bases pour pouvoir les reproduire. Autre critique lu et que j'ai compris : ce livre vous présente des personnages dans des poses préétablies et ne vous explique pas vraiment comment créer ses propres poses ou variations d'anatomie ce qui aurait permis d'acquérir par la suite une autonomie et se détacher progressivement des modèles. Aussi, je pense que ce n'est pas un livre ou une série adaptée aux débutants complets, il faut d'abord acquérir de bonnes bases. Mais il est parfaitement adapté à un public qui les as déjà et qui souhaite progresser en s'inspirant de ces références qui je le redis, pour cet ouvrage, sont vraiment superbes. Pour ma part, je suis conquis et j'achèterai sans hésiter d'autres ouvrages de la série par la suite.

I recently got this for my 11th birthday, and have been drawing from it ever since. I was a total beginner (and I still am) and getting this really helped me learn. I've been watching myself improve because of this book. The author has a very witty and entertaining style of explaining things, which makes the drawing a lot more fun. The drawing templates are very easy to understand as well. Overall, this is a brilliant book and I highly recommend it.