- Ultra-compact 9.5" graphic equalizer for studio and stage applications.
- Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as Audio Analyzer.
- Additional Low-cut filter removes unwanted frequencies, e. g. floor rumble.
- Accurate 6-segment LED input/output meters and Level control for precise level indication.
- High-quality illuminated faders, potentiometers and illuminated switches for long-term reliability.
Product Description
-------------------
Ultra-Compact 9-Band Graphic Equalizer with FBQ
.com
----
If we all lived in a perfect world, there would be no need for
audio equalization. Sound systems would be perfect and would
reproduce perfect signals in all their glorious perfection. Also,
everyone in that perfect world would like the same a of
bass, midrange and high frequency, and there would be no such
thing as feedback. But the world isn't perfect, is it? Even the
best sound system can benefit from the use of a good EQ--like the
FBQ800.
Even the best sound system can benefit from the use of a good EQ.
Click to .
( https://images-na.ssl-images-.com/images/G/01/musical_instruments/detail-page/B000MJ406Y-1.jpg )
1/4-inch and RCA inputs and outputs.
Nine steps of graphic EQ.
How Does it Work?
Imagine the frequency range of the sound you hear as a highway,
a very wide one with nine lanes. Each of these "lanes" represents
a single octave of the sonic spectrum. The first four lanes,
labeled 63 - 500 (Hz) contain the really low frequency sound
content, mainly bass, bass vocals, and the kick and tom drums.
The three lanes labeled 1 k, 2 k and 4 k (Hz), make up the
fundamental zone of most musical instruments and the male and
female vocals. 8 k and 16 k cover the frequency range of cymbals,
snare drums and higher pitched percussion instruments. The FBQ800
allows you to control the flow of audio traffic in each of these
nine lanes. When properly applied, EQ makes it possible to hear
all of these frequency ranges equally, thus the term
equalization.
Feedback Elimination
When a specific frequency, or range of frequencies, reaches too
high a level, feedback occurs--that all-too-familiar squeal or
howl you get when the mic is too close to the speaker. Basically,
feedback happens when there is so much of a particular frequency
that it is picked up by the mic and run through the system again.
That's why feedback typically gets louder and louder the longer
it's allowed to occur. Needless to say, this kind of feedback is
very undesirable.
This is where the FBQ800's Feedback Detection System really works
its magic. In this ingenious circuitry, LEDs on the individual
faders light up when that frequency band is approaching the
danger zone. All you need do is lower the illuminated slider
until the LED blinks out--voilá, feedback problem solved! What
once required a highly trained ear is now an activity that even a
child can master.
Sonic Toolkit
That really is the best way to describe the FBQ800. With its
nine frequency bands, you easily fine-tune your sound and
instantly eliminate feedback. And each fader can be used to boost
or cut the frequency range it controls by as much as 12 dB (and
that's a lot!).
Special attention is paid to the low frequency zone. In addition
to low frequency faders, the FBQ800 features a Low Cut filter for
removing unwanted low frequencies such as fl oor rumble, room
resonance, electrical hum, etc. This is especially handy if your
system is being used for speech rather than music.
To Boost or to Cut, That is the Question
Raising and lowering specific frequency bands can improve the
frequency response of any room's acoustics. For instance, if the
room you're in is "bass-heavy," lowering the 63 and 125 Hz faders
can help eliminate an overall "boomy" or "muddy" sound. Likewise,
gently boosting the 8 and 16 k sliders can add sparkle to a
somewhat "dark" mix. Are the vocals getting lost in the mix?
Raising the level of the 1 k slider can help bring them out.
It's important to note that raising a single fader level is not
always the best solution; it's often better to lower the bands
surrounding the frequency you want to bring out, and then boost
the overall volume level to achieve better headroom.
Built for Accuracy and Reliability
Speaking of headroom, FBQ800's 6-digit LED Input/Output meters
and level control are provided for precise level maintenance.
Longterm reliability is ensured, thanks to high-quality
illuminated faders and switches, and our ultra low-noise audio
operational amplifiers provide outstanding sonic performance. In
addition, all Mini Series components may be stacked to create an
ultracompact signal processing solution.
What's in the Box
Behringer FBQ800 Ultra-Compact 9-Band Graphic Equalizer, Power
Supply, User's Manual