![The Thing [4K UHD]](/_next/image?url=https%3A%2F%2Fm.media-amazon.com%2Fimages%2FI%2F81Bv9OlDqzL.jpg&w=3840&q=75)






Director John Carpenter (Halloween) teams Kurt Russell's outstanding performance with incredible visual effects to create a chilling version of the classic The Thing. Set in the winter of 1982 at a research station in Antarctica, a twelve-man research team finds an alien being that has fallen from the sky and has remained buried in the snow for over 100,000 years. Soon it is unfrozen and unleashed, creating havoc and terror as it changes forms and becomes one of them.Bonus Content:Includes 4K UHD, Blu-ray and a digital copy of The Thing (1982) (Subject to expiration. Go to NBCUCodes.com for details.)Features High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike ColorJohn Carpenter's The Thing: Terror Takes ShapeOuttakesTheatrical TrailerFeature Commentary with Director John Carpenter and Kurt RussellU-Control: Picture in PictureFeature Commentary with Kurt Russell and Director John Carpenter Review: A nearly unmatched fusion of sci-fi and horror. 95% - My first encounter with John Carpenter's The Thing was back around November of 2001, where I only saw a snippet of the movie on TNT. Just my luck, I tuned in at one of the most gruesome scenes in the movie. Even at the age of 14, when I was more seasoned to creepy films, still found it too disturbing to follow through the rest of the movie, and just tuned in to something else (probably The Simpsons). I wouldn't come into contact with this movie for another eight years. In September of 2009, I went to the nearby Family Video to look for a good movie to watch. I found a copy of The Thing at the store, and looked at the description of it, and thought to myself "Hey, I remember watching a bit of this a while back." For a mere dollar, I rented The Thing and I don't regret it at all. STORY The Thing is set in Antarctica 1982 (when this movie was released), and an American research team is shocked when a Norwegian scientist lands his helicopter nearby and starts shooting at a runaway dog. Due to a language barrier and overall panicked state the Norwegian is in, he can't properly communicate to the Americans, accidentally blows up his helicopter, and shoots one of the Americans in the leg. The Norwegian ends up getting shot and the American research team takes in the dog that was fleeing from the helicopter. Things start to turn awry when MacReady (Kurt Russell) and Doc Copper (Richard Dysart) investigate the charred remains of the Norwegian research facility and bring back a mutated, humanoid corpse to their facility. CHARACTERS What I think helps make The Thing such a great movie is that the characters feel like real people. The cast is a group of men stuck in a research outpost in the Antarctic, and they certainly act like people who've been stuck in a frozen, confined place for a long time. They're not really bad guys, but they're certainly not people that are totally likeable. A lot of them are cranky, probably from being stuck in the same place out in a frozen continent. Palmer (David Clennon) sticks out as the most awkward of the bunch, since you see him smoking marijuana and rambling about some government conspiracies. While MacReady steals the show, Childs (Keith David) is probably my favorite since David is such a great actor and does a great job a playing a man with a sense of reason and is a tad against MacReady when he claims authority in the group. My only real grip with them is that they seem pretty unprofessional for a group of government researchers in the Antarctic, but this could also be that they're in a bout of downtime allotted by the government. It's also worth noting that Wilford Brimley plays Blair, a medical scientist who loses his mind in the wake of these Things taking over the crew of the research outpost. HORROR/SPECIAL EFFECTS Because The Thing is a sci-fi/horror hybrid, the horror element is extremely important. Thankfully, with director John Carpenter and special effects artist Rob Bottin working on this movie, The Thing has some of the best horror you can get in this genre. Thanks to excellent story and character development, a great location to set up the movie, and amazingly creepy monsters, this movie is replete with natural feelings of isolation, tension, and dread. Being stuck in a research center in the middle of Antarctica, not knowing that someone else in your research team might actually be a nefarious, invasive alien lifeform, this will certainly creep anyone out. Given the premise of alien lifeforms taking over other lifeforms with grizzly results, I can easily see how this movie was extremely influential to Visceral Games when they created the Dead Space series. Rob Bottin has to be one of the best special effects artists that ever worked in cinema. His animatronic monsters in this movie are some of the creepiest you'll ever see because aside from the fact that they look so disgusting, they look very realistic, too. It's crazy that this movie came out in 1982, yet the various Thing monsters in this movie look better than some of the best CGI effects available today. I don't want to give away too much of the scary parts in this movie, but one of the creepy scenes that sticks in my head the most has to be near the beginning, when that dog that escaped from the Norwegian scientists mutates in the dog pen and turns into a sheer abomination that doesn't look like any living creature of this Earth. It's funny to note that some of the materials used to bring these special effects to life, because according the documentary that came with the collector's edition DVD of this movie, Rob Bottin used a bunch of K-Y jelly to give the mutated creatures a slimy, greasy look. STORYTELLING Carpenter was at the top of his game when directing this movie, and like any director worth his salt, relies on the "show, don't tell" principle of storytelling. Only the necessary amounts of dialogue are used to give background to certain things. What really struck out at me was the scene where Blair was researching the Thing cells, and you see a computer screen depicting highly-pixelated images of the Thing cells taking over the dog cells (taken from the mutated dog's corpse) and spreading to the others. Not a single word was used to explain how the Thing cells work in this scene, yet it gave us all the information we needed to understand the Things. SOUNDTRACK Ennio Morricone's compositions in this movie are some of the best music compositions for horror motion pictures you'll ever hear. Morricone departs from his background in using a whole orchestra and uses primarily electronic keyboards to create the music here. The minimal nature of most of the tracks in the movie's score is perfect for the chilling atmosphere here, since it enhances the said atmosphere and imagery instead of distracting you away from it. The music here is so great, I actually bought an MP3 copy of Morricone's score for this movie. MATURE CONTENT This is not a movie for the kids to see. There's a good deal of profanity, some drug use, and intensely creepy monsters and gore. You see a dog mutate (with plenty of gore coming from the dog as it mutates) and attack other dogs after it mutates. There's also a scene where a man gets his arms bitten off by one of the Things and it mutates into something really ugly that I can't describe in words, you have to see it for yourself. There's also a scene of a slain dog with an ax embedded into its neck. I know that some people are pretty sensitive to seeing animals getting killed in movies, so if this is a concern for you, you may not like that scene or of the dogs getting attacked by one of the Things. FINAL WORD In John Carpenter's filmography, I think The Thing is his crowning jewel. If you love horror movies, this is a mandatory movie to have in your library. I should close in saying that sometimes, there is justice in the movie world. The Thing was originally not received well when it first came out, but thankfully it became a hit on video and has now gotten the "classic" status it totally deserves. Review: EXCELLENT 4K UHD DISC - The movie itself is five stars, one of the best sci-fi horror films ever made. The 4K transfer on this UHD DISC is excellent on every level. There were previous 4K releases by other studios, but this Paramount release, in my opinion, is by far the best. So many 4K movies can be way too bright, or lack a classic film texture. This 4K of THE THING by Universal is the best this movie has ever looked! Amazing amounts of detail, and color. I remember this movie as a dark,, murky looking film. It is not. This is movie is beautifully shot and now, thanks to this disc, full of color! The black levels are dark, but full of detail and the whites are never bleached out. The sound is nicely mixed with big explosions that never over-power dialogue. I never once had to adjust the volume while watching this film (the way I do for so many overly-loud mixed films.) Wish it had more extras, but i found the making-of documentary to be really good, as well as the commentary track by John Carpenter and Kurt Russel. Buy this 4K over the Blu-ray or the DVD. You'll be glad you did! And if you don;t have a 4K player, what are you waiting for?








| ASIN | B098Z28MSY |
| Actors | Charles Hallahan, David Clennon, Keith David, Kurt Russell, Wilford Brimley |
| Best Sellers Rank | #75 in Movies & TV ( See Top 100 in Movies & TV ) #9 in Horror (Movies & TV) #16 in Action & Adventure Blu-ray Discs |
| Customer Reviews | 4.8 4.8 out of 5 stars (10,180) |
| Director | John Carpenter |
| Item model number | 191329106914_ig_loc |
| MPAA rating | R (Restricted) |
| Media Format | 4K |
| Number of discs | 2 |
| Producers | David Foster, Lawrence Turman |
| Product Dimensions | 5.43 x 12.6 x 0.63 inches; 0.02 ounces |
| Release date | September 7, 2021 |
| Run time | 1 hour and 49 minutes |
| Studio | Universal Pictures Home Entertainment |
D**N
A nearly unmatched fusion of sci-fi and horror. 95%
My first encounter with John Carpenter's The Thing was back around November of 2001, where I only saw a snippet of the movie on TNT. Just my luck, I tuned in at one of the most gruesome scenes in the movie. Even at the age of 14, when I was more seasoned to creepy films, still found it too disturbing to follow through the rest of the movie, and just tuned in to something else (probably The Simpsons). I wouldn't come into contact with this movie for another eight years. In September of 2009, I went to the nearby Family Video to look for a good movie to watch. I found a copy of The Thing at the store, and looked at the description of it, and thought to myself "Hey, I remember watching a bit of this a while back." For a mere dollar, I rented The Thing and I don't regret it at all. STORY The Thing is set in Antarctica 1982 (when this movie was released), and an American research team is shocked when a Norwegian scientist lands his helicopter nearby and starts shooting at a runaway dog. Due to a language barrier and overall panicked state the Norwegian is in, he can't properly communicate to the Americans, accidentally blows up his helicopter, and shoots one of the Americans in the leg. The Norwegian ends up getting shot and the American research team takes in the dog that was fleeing from the helicopter. Things start to turn awry when MacReady (Kurt Russell) and Doc Copper (Richard Dysart) investigate the charred remains of the Norwegian research facility and bring back a mutated, humanoid corpse to their facility. CHARACTERS What I think helps make The Thing such a great movie is that the characters feel like real people. The cast is a group of men stuck in a research outpost in the Antarctic, and they certainly act like people who've been stuck in a frozen, confined place for a long time. They're not really bad guys, but they're certainly not people that are totally likeable. A lot of them are cranky, probably from being stuck in the same place out in a frozen continent. Palmer (David Clennon) sticks out as the most awkward of the bunch, since you see him smoking marijuana and rambling about some government conspiracies. While MacReady steals the show, Childs (Keith David) is probably my favorite since David is such a great actor and does a great job a playing a man with a sense of reason and is a tad against MacReady when he claims authority in the group. My only real grip with them is that they seem pretty unprofessional for a group of government researchers in the Antarctic, but this could also be that they're in a bout of downtime allotted by the government. It's also worth noting that Wilford Brimley plays Blair, a medical scientist who loses his mind in the wake of these Things taking over the crew of the research outpost. HORROR/SPECIAL EFFECTS Because The Thing is a sci-fi/horror hybrid, the horror element is extremely important. Thankfully, with director John Carpenter and special effects artist Rob Bottin working on this movie, The Thing has some of the best horror you can get in this genre. Thanks to excellent story and character development, a great location to set up the movie, and amazingly creepy monsters, this movie is replete with natural feelings of isolation, tension, and dread. Being stuck in a research center in the middle of Antarctica, not knowing that someone else in your research team might actually be a nefarious, invasive alien lifeform, this will certainly creep anyone out. Given the premise of alien lifeforms taking over other lifeforms with grizzly results, I can easily see how this movie was extremely influential to Visceral Games when they created the Dead Space series. Rob Bottin has to be one of the best special effects artists that ever worked in cinema. His animatronic monsters in this movie are some of the creepiest you'll ever see because aside from the fact that they look so disgusting, they look very realistic, too. It's crazy that this movie came out in 1982, yet the various Thing monsters in this movie look better than some of the best CGI effects available today. I don't want to give away too much of the scary parts in this movie, but one of the creepy scenes that sticks in my head the most has to be near the beginning, when that dog that escaped from the Norwegian scientists mutates in the dog pen and turns into a sheer abomination that doesn't look like any living creature of this Earth. It's funny to note that some of the materials used to bring these special effects to life, because according the documentary that came with the collector's edition DVD of this movie, Rob Bottin used a bunch of K-Y jelly to give the mutated creatures a slimy, greasy look. STORYTELLING Carpenter was at the top of his game when directing this movie, and like any director worth his salt, relies on the "show, don't tell" principle of storytelling. Only the necessary amounts of dialogue are used to give background to certain things. What really struck out at me was the scene where Blair was researching the Thing cells, and you see a computer screen depicting highly-pixelated images of the Thing cells taking over the dog cells (taken from the mutated dog's corpse) and spreading to the others. Not a single word was used to explain how the Thing cells work in this scene, yet it gave us all the information we needed to understand the Things. SOUNDTRACK Ennio Morricone's compositions in this movie are some of the best music compositions for horror motion pictures you'll ever hear. Morricone departs from his background in using a whole orchestra and uses primarily electronic keyboards to create the music here. The minimal nature of most of the tracks in the movie's score is perfect for the chilling atmosphere here, since it enhances the said atmosphere and imagery instead of distracting you away from it. The music here is so great, I actually bought an MP3 copy of Morricone's score for this movie. MATURE CONTENT This is not a movie for the kids to see. There's a good deal of profanity, some drug use, and intensely creepy monsters and gore. You see a dog mutate (with plenty of gore coming from the dog as it mutates) and attack other dogs after it mutates. There's also a scene where a man gets his arms bitten off by one of the Things and it mutates into something really ugly that I can't describe in words, you have to see it for yourself. There's also a scene of a slain dog with an ax embedded into its neck. I know that some people are pretty sensitive to seeing animals getting killed in movies, so if this is a concern for you, you may not like that scene or of the dogs getting attacked by one of the Things. FINAL WORD In John Carpenter's filmography, I think The Thing is his crowning jewel. If you love horror movies, this is a mandatory movie to have in your library. I should close in saying that sometimes, there is justice in the movie world. The Thing was originally not received well when it first came out, but thankfully it became a hit on video and has now gotten the "classic" status it totally deserves.
E**D
EXCELLENT 4K UHD DISC
The movie itself is five stars, one of the best sci-fi horror films ever made. The 4K transfer on this UHD DISC is excellent on every level. There were previous 4K releases by other studios, but this Paramount release, in my opinion, is by far the best. So many 4K movies can be way too bright, or lack a classic film texture. This 4K of THE THING by Universal is the best this movie has ever looked! Amazing amounts of detail, and color. I remember this movie as a dark,, murky looking film. It is not. This is movie is beautifully shot and now, thanks to this disc, full of color! The black levels are dark, but full of detail and the whites are never bleached out. The sound is nicely mixed with big explosions that never over-power dialogue. I never once had to adjust the volume while watching this film (the way I do for so many overly-loud mixed films.) Wish it had more extras, but i found the making-of documentary to be really good, as well as the commentary track by John Carpenter and Kurt Russel. Buy this 4K over the Blu-ray or the DVD. You'll be glad you did! And if you don;t have a 4K player, what are you waiting for?
V**E
Makes for a good Double-Feature with Alien
One of my favorite sci-fi, and horror films has always been Ridley Scott's 1979 classic Alien, and for a while now I've been looking for a film that would make for a good late-night double feature (excluding the sequel, Aliens). Of course, when I searched I mostly found rip-offs that couldn't hold a candle to the levels intrigue, and suspense set by Scott's film; in fact, most of them were simple rip-offs of Alien. I finally found this version of The Thing after having liked the original 1952 version for over a year. I'd always been hesitant to try Carpenter's remake, because I am always hesitant when confronted with remakes; especially ones of beloved classics, such as The Thing from Another World. When I finally watched this remake I was pleased to discover that Carpenter did a remake right! This film features plenty of homage, honoring the legacy of the original film, while also recreating the plot almost 100%, except for the setting, and some character names. The opening title is the same way it was done in the 1951 film, and any fan of the original will be sure to notice the similarities (I believe Carpenter's Thing makes a very similar sound to the original's; just edited a bit to make it more menacing for a modern audience). Everyone should know the basic premise of The Thing movies (based on the sci-fi classic short story `Who Goes There?') where scientists in a remote Arctic base find themselves under siege from an alien invader, who's been frozen in the ice for thousands of years. As members are picked off one-by one individual's personalities begin to clash, leading to internal conflict. To keep his film fresh and original Carpenter returns to the short story, making his alien capable of shape shifting: this increases the tension between the members of the cast. Most of the movie they have no way of discovering who is, or not one of them, and they are never capable of fully trusting one another. The stand out is of course the way Carpenter depicts this creature's abilities to change, causing some of the most disturbing images you will ever see in the movies. Between the puppets, and stop-animation this is some of the best shot monster effects of the 1980s (not to mention nauseating). The film is lead by one of my favorite action stars Kurt Russell, who has teamed up with John Carpenter on several occasions (most notably Escape from New York). Russell's character is essentially a cliché drunken-slob-turned-hero, but Russell does do a good job with it, and makes you root for his character, even when evidences points towards him not being human. Most of the characters in the scriptare cardboard, made up of stereotypes, and clichés, but Carpenter still manages to get the audience to care for the central characters, even though you only learn very little regarding these characters past, or present lives. He creates a wonderful sense of paranoia as the characters try to locate the imposter among them, and the audience is pulled into this conflict by the evidence provided by the crafty Carpenter, either by visual signs, or subtle dialogue. I wouldn't call The Thing one of the best movies of all time, but I can say it is one of the most well crafted horror films of the last thirty years. The visuals are as disturbing as they are frightening, and the direction is perfect, and this is all topped by a subtle, yet disturbing Carpenter-inspired score by Ennio Moriccone. This movie will shock and disturb audiences of all ages, and at the same time provides terrific entertainment for moviegoers, and horror buffs.
P**I
O melhor filme do John Carpenter e um dos melhores filmes de terror na minha opinião. Essa edição 4K está impecável, para quem não tem a TV certa, ou aparelho para rodar em 4K, também vem com o Bluray normal.
A**R
Llegó sin ningún detalle y rápido al otro día, es una excelente versión , se ve espectacular en pantalla 4k , trae un documental donde el director y todos los involucrados en la película cuentan el proceso de creación, todo subtitulado en español
P**I
Oubliez le prequel/reboot et jetez vous sur ce monstre du film fantastique/horreur qu'est The thing, paranoïa et effets gores mais surtout et toujours John Carpenter épaulé par kurt russell
A**O
No hay mucho que decir, la pléicula es buena. Sobre la presentación, no incluye demasiados extras, solo lo justo. Lo recomiendo.
S**M
One of my all time favorite movies added to my collection. Can't imagine what the audience in 1982 felt like, definitely were not ready for it. Didn't succeed at the time but became a cult classic and continues to live on. Great cast with a great storyline filled suspence and gore. Featuring awesome makeup and special effects for it's time plus a killer soundtrack by Ennio Morricone. Highly enjoyable in hi-def picture and sound.
Trustpilot
Hace 1 mes
Hace 3 semanas